Look inside the book–and close the cover

The other day I was searching on Amazon for a good book to read. I like zombie fiction, and that’s the specific genre I zeroed in on on  this particular day. I found one that looked interesting. Nifty, though a bit crude, cover. Good reviews. An editor listed in the description.

Because I didn’t know the writer’s other work, I followed my usual procedure and clicked “look inside.” I was a bit annoyed by the way the e-book was laid out – reviews, copyright information, table of contents, and so on all at the front, thus cutting down on the amount of actual book text I’d be able to read in my “look inside.”

Then I got down to the text.

I found a grammatical error in the second sentence. I found weak writing (to put it kindly) in the second paragraph, followed by several more examples of poor grammar, bad punctuation, and weak writing in the two or three pages I slogged through.

Did I pick up this book? No. No, I didn’t. Not even at the low-low-low price of free was this book worth it. The story sounded interesting. The writing turned me right off.

Now I have to add that a perfectly grammatical story peopled with cardboard characters and weighted down with a blah or confusing plot will also turn me off. I just can’t detect those flaws in the first two or three pages of the book.

Do you need an editor? Yes. Do you need an editor who’s not afraid to tell you what’s wrong? Also yes. Do you need an editor who knows his/her stuff? So much yes.  Sometimes an editor has to be the Bad Guy and tell her client that a section isn’t working, that a word doesn’t mean what the client thinks it does, that the client is relying on the same word or phrase too much. When we do that, it’s not because enjoy crushing a client’s creativity or voice. It’s because that’s what the client is paying us for: finding those errors before they turn off the readers.

All that said, it’s also true that a lot of readers don’t know the nuances of grammar. That doesn’t mean they won’t know when the meaning of a sentence is unclear. They might not know why they’re uncomfortable, but they’ll know they are. After all, a person doesn’t have to understand music theory or be able to read music to know when someone’s singing off-key.

Indie writers have to be especially careful, I think. Readers are, unfortunately, a lot harder on indie writers than those published by Big New York Publishers. It’s like that old saying, “You have to be twice as good to get half the respect.” Is it fair? No. Will this perception change? Probably. Does that probable change matter now? Nope.

photo credit: gregparis at morgueFile.com